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Art partners of Claudia Liekam and Hans Braumüller from  Canada, Chile, Germany ...

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Partners/José Mansilla-Miranda
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Partners/José Mansilla-Miranda
 ARTIST’ BIOGRAPHY Born in Puerto Montt, Chile, Canadian citizen, José Mansilla-Miranda studied Theology at Holy Family Seminary in Santiago, 1967/75. Diploma Engineering Design, R. R. C. C, Winnipeg, 1983. Diploma Program in Fine Arts, University of Manitoba, Winnipeg, 1988. Diploma Graphic Design, Algonquin College, Ottawa, 1991.
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Partners/Partners
Wir haben mit Ilka Vogler Links getauscht.
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Partners/Partners
Torsten Spuhl von STS-Seiltechnik hat das Hybridbild Fly  auf Bannermaterial von Claudia Liekam erstanden.  
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Partners/Partners
Sprechtraining und Alexandertraining
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Partners/Humberto Nilo
CurriculumVitae 2004
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Partners/Humberto Nilo
The Case of Humberto Nilo - AUMA (Accion Urgente - Mail Art)      
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Partners/Humberto Nilo
Presentacion de Humberto Nilo para Trans-Arte
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Partners/Humberto Nilo
Stamp by Humberto Nilo, Chile 2006
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Partners/Padin, Clemente
Arte Postal en Latinoamérica por Clemente Padín Se conoce como Mail Art o Arte Postal a las manifestaciones artísticas transportadas por los servicios postales que, en cierta medida, puedan alterar el sentido dispuesto que el creador, correspondiéndole dicha operación a los avatares del medio empleado en la trasmisión de los mensajes desde el emisor al receptor. En términos de ciencias de la información diríamos que la innovación del Arte Postal es la novedad del "canal" de transmisión que con sus características propias tiñe el mensaje enviado y lo altera con su "ruido". No se trata, tal cual pudiera creerse, en una nueva corriente artística en sentido formal, po lo cual no corresponde a ningún "ismo" determinado. La novedad reside en el planteo comunicacional, la relación persona-persona a través del correo que se manifiesta como revolucionaria frente a la falsa comunicación o monólogo de los medios de comunicación masivos: la televisión, la radio, el cine, etc. Si a ello sumamos el carácter anticomercial y anticonsumista que tuvo desde sus comienzos veremos que estamos frente a un fenómeno artístico de disrrupción.
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Partners/Padin, Clemente
HAPPY BIRTHDAY, CLEMENTE PADIN..!*     Celebrating his 68vo. Anniversary, the artist Clemente Padín want to share his happiness by having arrived so far and invite his
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Partners/Padin, Clemente
TAM Mail-Interview Project   Started on: 3-12-1994 RJ: Welcome to this mail-interview. First let me ask you the traditional question. When did you get involved in the mail-art network? Reply on: 31-12-1994 CP: My first experiences in Mail Art date from 1967 when with my latin-american friends Edgardo Antonio Vigo, Guillermo Deisler and Dmaso Ogaz we started to exchange our reviews : Diagonal Cero, Ediciones Mimbre, La Pata de Palo & Los Huevos del Plata (Diagonal Zero, Osier Editions, Leg of Wood and The Eggs of the Silver) and our mail-art works. The Uruguayan review OVUM 10 published 6 post- cards with my visual poems in 1969. Later, in 1974, during the Uruguayan military dictatorship, I organized the First Latin-American Mail Art Exposition documented at the Gallery U, in Montevideo and I was editing the second epoch of OVUM, about which Géza Perneczky says: "The periodical and private publications that had midwifed in the birth of the network (File of Canada, the American Weekly Breeder and Mail Order Art, Poland's NET, Padin's OVUM, etc) displayed, to different degrees, motives that emphasizes the need for social contacts or were based on more commercial interests." (A Halo, 1991, p.232). After the history continues...  
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Partners/Padin, Clemente
December 16 of 1999 was inaugurated the exhibition MAIL ART TOWARD THE NEW MILLENNIUM in the premise of the Museum of Philately (MUFI) of Oaxaca, Mexico. The Museum of Philately is the first in its gender in Mexico and has been opened for the conservation of the philatelic collections and their diffusion to the public, apart from constitute on a point of encounter of all the lovers of the world of this art- science (like it has been called).
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Partners/Padin, Clemente
Clemente Padín Biographical Background   My experiences in Mail Art date from1967 when Edgardo Antonio Vigo,Guillermo Deisler,Dámaso Ogaz and me exchanged our respective publications :Diagonal Cero (Diagonal Zero),Ediciones Mimbre (Osier Editions),La Pata de Palo (leg of Wood) and Los Huevos del Plata (The Eggs of Silver).From these publications we later assembled the testimony of our propositions.I officially began creating Mail Art in 1969 when the Uruguayan magazine OVUM 10 published my postcards and visual poems. In 1974,during the Uruguayan military dictatorship,I organized the First Latinoamerican Mail Art Exposition at Galeria U,in Montevideo,Uruguay.My edition of apocryphal mail art stamps denounced the dictatorial regime for its brutal suppresion of human rights and this eventually led to my incarceration from August,1977 to November,1979.But ,in October,1983 I resumed my artistic activities with the "1st.of May" Exhibition at the Association of Banking Employees of Uruguay.Thereafter,I proposed and organized the Latin American and Caribbean Association of Mail Artists which was formed August 3l,1984,in Rosario,Argentina.Since then,I have participed in hundreds of Mail Art Shows throughout the world with combinations of my poetry,performances and video art.
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Partners/Padin, Clemente
  Slowly,but surely internet asserts itself all over the world,being every day greater the number of connected people to the web of nets Latin America is not the exception,from Punta Arenas in Chile to Mexicali in Mexico, the entities electronically united in the infoway of superhighway are thousands and thousands,which through the cyberspecial waves reach the most far away corners of the world.
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